Thursday, December 19, 2013

Wise Words and Worldly Woes

“When God was creating everything- there were some left-overs. Architects can only use such left-overs to create newer things.” So says Professor Sudarshan Raj Tiwari, quoting from the Vedas. And, “To do some function, a man needs a certain physical environment. The making of this physical environment is architecture.” This, of course, is his own opinion. Additionally, the professor has much to say about many things, and in all this, his views are quite original and revealing. And often, quite thought provoking. For instance, about the ancient science of Vastu Shastra, this is what he says, “In addition to the usual physical dimensions, there are some who also take into consideration the psychic environment as an added element.  Perhaps the ancient sciences do just that.”

The Academic

In Professor Tiwari’s opinion, different societies have differing cultural ideas and so while creating a physical environment, it wouldn’t be a bad idea to also take into consideration the comfort aspect vis-à-vis the psychic factor as an additional part of designing. At the same time he warns, “But it would be foolish to follow such dictums without more exploration, because when such Shastras were being written, people had limited sources of knowledge and we have to keep this in mind. For example, it is not necessary that directions as prescribed in the Shastras are universally true for all parts of the world.” Explaining further, he adds, “And many of the references to direction have a religious aspect - for instance, the north-east presumably pointing towards the region where God Shiva resides, at least as seen from the place where the Shastra was written, and pertaining to abundant flow of water. This direction of course cannot be said to be commonly true for other parts of the world . Or in line with other societies’ beliefs.”

As an academic who teaches in many colleges besides the Institute of Engineering in Pulchowk, the professor admits that when such topics come up, he has a difficult time clarifying matters. “Well, you see, the main point is that one cannot explain much when things are not all that clear. And more so, when one is confused.” No doubt the professor is right in saying so because the Shastras are after all quite mystifying and full of obscure philosophy. Nevertheless, Professor Tiwari is quite unambiguous on most other matters. About the reason for the IOE being ranked by AIT (Bangkok) as one of the top three engineering colleges in South Asia, the professor credits it to the fact that IOE has a long history, and its faculty have been well trained abroad. Besides this, and because of its reputation, IOE has always attracted the brightest minds in the country. “You must remember that in the 70’s and the 80’s engineering was considered to be a prime vocation and so IOE received many bright minds. Our admission ratio was, and still is, one out of ten applicants, so you can imagine that the college had some of the best students in the country. In addition, many of them went on to do their masters abroad and when they came back, taught here, bringing with them new ideas and novel thoughts. This is one of the main reasons for IOE’s success. And since success breeds success, IOE gained such a reputation that the brightest continue to flock here.”

Writer, Preserver, & Historian

It is obvious that the professor must be an exceptionally erudite teacher. It is also true that he is an extremely knowledgeable one. Some idea of this can be discerned from the fact that he has written three books titled respectively, ‘Ancient Sculpture of Kathmandu Valley’, ‘Tiered Temples of Nepal’ and the famous ‘Bricks and Bulls’.  Right now he is in the final stages of completing a 300 page tome to be called, ‘Temples of Nepal’. “I wish the publishing houses would have given more importance to marketing my books,” laments the writer. “I would be happy if at least my books had been made available in major libraries worldwide.” Anyway, this aside, it is apparent that the professor must be really adept on  information regarding traditional architecture, history and heritage. “Well, you could say that,” he concedes modestly. “As a consultant for the Department of Archaeology I have been part of the Maya Devi Temple and  the 55 Window Palace Conservation Teams in Lumbini and Kathmandu respectively.” But again, like in many other things, the professor has his own unique views on the subject of conservation as well.

Professor Tiwari confesses that he has always been advising organizations like UNESCO to use a different approach towards preservation activities in Nepal. “For instance, here many of the traditional heritage sites are ’season-related’. Most of them are focal points during festivals which are almost all seasonal in occurrence. So it would not be a good idea to approach restoration and other activities from a purely ‘historical-year’ angle.” Well, this should give an indication as to the workings of the professor’s mind. Tangential, no doubt. And maybe, this is as it should be, considering that he is after all, before all else, an architect. And as everybody knows, architects have to have equal measures of the philosophic and the practical in their systems in order to answer to the call of high creativity that this noble profession requires. 

To a question as to how monument zones here have managed to get themselves into the ‘Endangered List’, this is what he thinks, “One reason could be that we have tried to include too wide an area when zoning heritage sites. Long time residents living within the zones cannot be expected to adhere to standards which will keep them apace from modern development.”  But then again, the professor does concede, “However, since the surrounding environment is vital when talking heritage sites, perhaps it is also right that a wider area has been considered. Still, if so, we have to explore the causes of failure. Is it that the by laws are not being followed? Or is it that the by laws are unpractical? Is it that the laws are good from a western point of view but not so from the poor residents’ perspective?”

Defending Tradition

Oh yes, Professor Sudarshan Tiwari is just the sort of authority who can start the ball rolling as far as important debates are concerned. It is also a fact that some of his opinions appear to be rather simplistic at first sight. For instance, he says, “I don‘t agree that we have to take into consideration the idea of ‘permanence’ when doing restoration works.” Elaborating further, he explains, “I mean our traditional architecture has been leveled before in times of great calamities, but the same has managed to be rebuilt in surprisingly short times. So even if a big earthquake were to bring everything down, so what? Vernacular architecture has been proven to be highly resilient and possible to be rebuilt again soon. Therefore, spending too much time and resources on such things are not that important. And you can imagine, after a disaster just the question of clearing up a steel and concrete mess would be impossible, leave alone the question of rebuilding.” The professor has an optimistic prophesy as well, “A time could come when conservation activities in South Asia will be handled by Nepalese architects. We have garnered so much valuable experience.” This will be in striking contrast to the time when foreign consultants, even those with no experience whatsoever, were appointed for restoration projects in the country. “For the Hanumandhoka Conservation Project, John Sandy had been appointed by UNESCO to overlook the work. You can imagine, this was the first such work by Sandy. He had no experience at all!” he exclaims.

The Patan Museum Project is another sore point with the professor. In his view, “What Gotz Hagemuller did cannot be said to be restoration. Conservation sites are supposed to be conserved by restoring authentically. What he has done is that he has laid most of the  emphasis on designing rather than on restoring.” He asserts, “As far as the designing of a museum is concerned, no doubt it has been done well but from a conservation point of view, the Patan Museum is a disaster. It is specially tragic because such a grievous mistake has been done in one of the most important heritage sites in the country –the one and only royal palace of Lalitpur.”

Professor Tiwari is also quite distressed at the so-called post modern architecture being practiced today, and mourns, “This only shows that architects are now culturally deranged.” He is also not too enthusiastic about the Rana palaces in the Valley, “Yes, they may be grand and opulent, but they are certainly not great. There are much more important sites that deserves to be conserved. And anyway, we mustn’t give undue weightage to size. Good architecture includes so many other things besides size. Nepali traditional architecture is something that is great yet humble.” About the recently observed neo-classical revival in the city, Professor Tiwari declares contemptuously, “This illustrates architectural bankruptcy.”  He adds, “At least in the 70’s and 80’s  when brick exposed buildings were being built, one could relate them to our traditional style.” Much of the blame for architectural derangement he lays on the shoulders of architects and states emphatically, “It is the architects’ responsibility to give a conscious choice to their clients. And one must always remember that ‘modern’ does not necessarily have to mean ‘western’.”

Provoking Thoughts

Professor Sudarshan Tiwari can go on and on when talking about a subject that interests him, but surprisingly, and perhaps because of the sparks of wisdom that seem to accompany his words, most listeners come away with the feeling of having spent the time well. And of having learnt much in the way of history, culture, preservation, and of course, architecture. Consider this, “Our traditional architecture was all inclusive. For example, even if roofing tiles could have been made impervious, we let them be because we wished the rains to soak into our roofs and cool our environment. We built systems, such as a layer of mud over the timbers, to prevent seeping water from rotting the wood.  Modern architecture is totally water exclusive and we are now making environments that are desert-like.” Consider also this, “We all know that stone is harder and better for flooring than are bricks. But we built brick courtyards because we wanted to ensure that water was retained in our soil so that our underground reservoirs were replenished continuously.”


The listener also comes out a lot wiser on the philosophical aspects of much that concerns our everyday lives. Consider this for instance, “Have you ever seen your own face? It is only because of the mirror that you think you have. You will never really be able to see your own face. All you will ever see is a reflection.” Let’s chew our cuds on that.

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